Luciana Vieira
Marcel Beltrán
2025
Brazil, France
Portuguese
fiction
drama | women
19 minutes
Cinema Inflamável & DW
Marta is an engineer responsible for the security cameras at the port of Fortaleza, an environment where silenced women deal with anonymity and contempt. But Marta is ready to speak out.
LUCIANA VIEIRA
Luciana Vieira is a Brazilian director screenwriter. She was a director’s assistant on Motel Destino by Karim Aïnouz (Competition Cannes 2024). She co-wrote and co-directed the comedy series Se Avexe Não (Netflix / Tv Brasil), the series Meninas do Benfica (Canal Brasil), the telefilm Guerra da Tapioca (Globoplay) and the series Lana & Carol (Tv Futura). She is currently post-producing her short Joqueta, (best script at Cabíria-Cardume). She produced the documentaries As Cores do Divino (Canal Brasil) and Um Pedaço do Mundo (GNT) and attended international workshops such as Produire au Sud, Varilux French Brazilian Laboratory and Brasil CineMundi. She was a script consultant for Cena 15 Laboratory from Porto Iracema das Artes Art School for eight years.
MARCEL BELTRÁN
Marcel Beltrán is a Cuban film director and screenwriter. Founder of Mediocielo Films, he explores environmental and social issues and promotes sustainability in the arts. After studying Film at EICTV (Cuba) and Concordia University (Canada), he has written and directed fifteen short, medium and feature-length documentaries. His short fiction film La Nube won the award for best short film at the Havana Film Festival and has 2.7 million views on YouTube. His first feature documentary, La Opción Cero, premiered at IDFA and has been screened at more than 40 international festivals. MOA, his feature film in development, was selected for La Fabrique des Cinémas du Monde in 2024. Beltrán has participated in international programs such as Rotterdam Lab, Berlinale Talents and Locarno Open Doors.
LUCIANA VIEIRA
Joqueta (2025/2026, short, not yet released)
Se Avexe Não (2024, Tv Comedy series)
Meninas do Benfica (2022, TV series)
Lana e Carol (2019, Tv Series)
The Phone Booth (2013, short)
Jaime (2011, short)
A Namorada do Meu Pai (2011, short)
MARCEL BELTRÁN
La Opción Cero (2020, Documentary Feature)
La Música de las esferas (2018, Documentary TV Movie)
La Nube ( 2014, Short, Fiction)
LUCIANA VIEIRA
Taking part in La Factory confirmed for director Luciana Vieira the idea that cinema is, above all, a collective art form. Beyond the rich cultural exchange at the heart of the project, the experience challenged her and her co-director with the task of completing a film in a very short time. Trusting and listening to her creative partner’s intuition proved essential to shaping a film they are both proud of.
For Luciana, this was a unique opportunity to explore her authorial voice in a safe and collaborative environment, a space to experiment, exercise her craft, and mature as a filmmaker. She feels honored by the trust placed in her and grateful to have lived this experience in her home country, revealing the beauty and complexity of the world she inhabits.
Sharing this journey with Marcel Beltrán, their brilliant crew, and the entire creative and production team who stood by them with encouragement, advice, and support has been profoundly enriching.
MARCEL BELTRÁN
Some paths seem to choose us, paths we might not have taken on our own. That was the case for director Marcel Beltrán when he was invited by the La Factory project — and that’s where the journey began. For him, La Factory was an invitation to navigate without a map, a space to practice mindfulness, deep listening, and detachment.
In its dizzying rhythm, Marcel came to understand that we don’t always choose the conditions under which we work, but we do choose how we inhabit each moment. Filming for the first time in Brazil, in Fortaleza, was a true gift. There, he encountered actors and filmmakers of remarkable sensitivity. At the same time, the exchange with the local industry offered a quiet lesson in how to move fluidly between the boundaries of authorship and collaboration.
It’s no coincidence that a film about blind spots found them — they embraced those spaces of uncertainty, and in doing so, perhaps uncovered something new.